Here are just a few highlights from a week of Fine Music classical music. You can explore all our Fine Music programs at Our Program Guide
|FINE MUSIC MORNINGS
Diversions in Fine Music and
|A WEEK OF FINE CLASSICS
Afternoons & evenings of
Fine Music Classics
Friday 16 June
Diversions in Fine Music
with Michael Field
Suite, from West Side story (1960; arr. Crees).
Philip Jones Brass Ensemble.
West Side Story, Jerome Robbins’ 1957 take on Shakespeare’s Romeo and Juliet, ran for over 700 performances on Broadway before going on tour, and was one of the greatest musical successes of its age. Leonard Bernstein’s score was a triumph, and bequeathed to popular culture some of its most hummable tunes. The suite is a firm favourite.
Tuesday 20 June
with Sue Jowell
Symphony no 3 in E flat, op 55, ‘Eroica’ (1803).
Vienna PO/Simon Rattle.
Beethoven’s first two symphonies were to some extent calling cards for the Viennese public. Between the second and the third, Beethoven’s writing underwent the sort of change wrought in Popeye, when, upon seeing Olive Oyl in the clutches of Bluto, he downs a can of spinach. Like Popeye’s biceps bursting out of his T shirt, The Eroica broke free of the comfortable ellipses of the Classical form, revealing to the astonished world a musical language that was both muscular and impassioned. It has a good claim to be the template for the 19th century symphony.
Thursday 22 June
with David Brett
Falla, M. de
Nights in the gardens of Spain (1909-15).
Alicia de Larrocha, pf; London PO/Rafael Frühbeck de Burgos.
Like many Spanish composers, Manuel de Falla wrote a great deal of music closely connected with the ancient regions of his country – particularly the ancient region from which he happens to hail – Andalusia. His time in Paris had given him a mastery of Impressionism, and in 1915 he completed perhaps his most impressionist score – Nights of the Gardens of Spain. It’s scored for piano and orchestra, the piano having a brilliant part which nonetheless never upstages de Falla’s lush orchestration.
Saturday 17 June 1pm … in Treasures Of The Voice, programmer Rex Burgess showcases Welsh dramatic soprano Gwyneth Jones, who came to prominence when she stood in for Leontyne Price at the Royal Opera in 1964. She is regarded as one of the great Wagnerian sopranos and the program features performances from various Wagner operas together with selections from Beethoven and Cherubini.
Sunday 18 June 8.30pm … in New Horizons, programmer Nev Dorrington highlights the music of Bruno Sanfilippo, an Argentinian musician, producer and composer, including highlights from his “ethereal yet compelling” Piano Textures series.
Wednesday 21 June 2pm … in Latin American Concert, programmer di cox features a number of composers, from Carlos Chavez’s Republican overture, Chapultepec, which uses familiar Mexican themes, through to Alberto Ginastera’s Harp Concerto. Harpist Isabelle Moretti regards this work as an “intensely dramatic work with a poignant second movement and at the same time … disconcerting, particularly in the first and third movements, directly based on the passionate rhythms and dance of Argentina”.