Here is an eclectic selection of jazz musicians born in February, prepared by Louise Levy and Phillip Cant.

Joshua Redman
1 February, 1969

“If I knew what it was going to look like, I wouldn’t be so excited to be a part of it. Jazz is a music of surprise; its a music of spontaneity. I think jazz musicians live–I know I do–for being surprised and not knowing whats going to come next.”

Joshua Redman is an American jazz saxophonist and composer. In 1991, he won the Thelonious Monk International Jazz Saxophone Competition. He was exposed at an early age to a variety of musics and instruments and began playing clarinet at age nine before switching to what became his primary instrument, the tenor saxophone, one year later. Redman cites John Coltrane, Ornette Coleman, Cannonball Adderley, his father Dewey Redman, as well as the Beatles, Aretha Franklin, the Temptations, Earth, Wind and Fire, Prince, the Police and Led Zeppelin as musical influences.

Stan Getz
2 February, 1927 – 6 June, 1991

“If you like an instrument that sings, play the saxophone. At its best it’s like the human voice.”

Stan Getz was an American jazz saxophonist. Playing primarily the tenor saxophone, Getz was known as “The Sound” because of his warm, lyrical tone, his prime influence being the wispy, mellow timbre of his idol, Lester Young. Coming to prominence in the late 1940s with Woody Herman’s big band, Getz is described by critic Scott Yanow as “one of the all-time great tenor saxophonists”. Getz performed in bebop and cool jazz groups. Influenced by João Gilberto and Antônio Carlos Jobim, he popularized bossa nova in America with the hit single “The Girl from Ipanema” (1964).

Melody Gardot
2 February, 1985

Melody Gardot is an American jazz singer. Gardot started music lessons at the age of nine and began playing the piano in Philadelphia bars at the age of 16 on Fridays and Saturdays for four hours a night. She insisted on playing only music she liked, such as Duke Ellington. She released her first album, Worrisome Heart (Verve, 2006), then My One and Only Thrill (Verve 2009).

Greg Tardy
3 February, 1966

Greg Tardy is an American jazz saxophonist, who has released albums for the record labels SteepleChase Records, J Curve Records, and Impulse! Records. As of May 2015 he is teaching at the University of Tennessee, Knoxville. He has played with Elvin Jones, Avishai Cohen, Aaron Goldberg, Brad Mehldau, and Joshua Redman, among others.

John Stubblefield
4 February, 1945 – 4 July, 2005

John Stubblefield was an American jazz saxophonist, flautist, and oboist. Born and raised in Little Rock, Arkansas, he studied music at the Association for the Advancement of Creative Musicians with Muhal Richard Abrams in Chicago before moving to New York City in 1971, playing with the Mingus Big Band for 13 years. During his career, Stubblefield played with the World Saxophone Quartet (1986–1988), Reggie Workman (1989–1993), McCoy Tyner (1984), Freddie Hubbard (1985), and George Russell (1985). Stubblefield also served for a time as a jazz ensemble director at the Mason Gross School of the Arts, following the departure of Paul Jeffrey in 1983.

Min Rager
5 February, 1975

Born in Seoul, Korea, Min Rager moved to Montreal in 1997 to pursue a professional music career. She holds her Master’s degree in Jazz Performance from the Schulich school of music at McGill University graduating with the distinction of “ Outstanding achievement in Jazz Piano”. At the Montreal International Jazz Festival in 2005 her Quintet was nominated for the “Grand prix de jazz General Motors”. Also that year, Min was the recipient of the “ Best New Artist” award from Montreal’s L’OFF Festival de Jazz. In 2008, Min received a commission from CBC to compose a jazz suite for 2 pianos.

Bill Mays
5 February, 1944

From 1969 to the early 1980s Bill Mays worked as a studio session musician in Los Angeles. He has been an accompanist to singers Al Jarreau, Peggy Lee, Anita O’Day, Frank Sinatra, Sarah Vaughan, Shelly Manne, Bob Mintzer, Red Mitchell, Gerry Mulligan, Art Pepper, Bud Shank, Bobby Shew, Sonny Stitt, Paul Winter, Phil Woods and Frank Zappa. In 1984, he moved to New York City and began to do more work as a bandleader, composer, and arranger. He has recorded over two dozen albums under his own name, and has been heard on hundreds more by others.

Scott Amendola
6 February, 1969

Scott Amendola is an American drummer from the San Francisco Bay Area. His styles include jazz, blues, groove, rock and new music. In 2011 Amendola premiered his orchestral work, “Fade To Orange”, performed in conjunction with the Oakland East Bay Symphony as one of the symphony’s New Visions/New Vistas premieres. Amendola was joined by Nels Cline and Trevor Dunn. He is also noted for his use of electronics and synthesizers in his compositions and live performance along with his drumming.

Eubie Blake
7 February, 1887 – 12 February, 1983

“If I’d known I was going to live this long, I’d have taken better care of myself.”

Eubie Blake was an American pianist, lyricist, and composer of ragtime, jazz, and popular music. In 1921, he and his long-time collaborator Noble Sissle wrote Shuffle Along, one of the first Broadway musicals to be written and directed by African Americans. Blake’s compositions included such hits as “Bandana Days”, “Charleston Rag”, “Love Will Find a Way”, “Memories of You” and “I’m Just Wild About Harry”. The 1978 Broadway musical Eubie! showcased his works.

Renée Manning
8 February, 1955

Renée Manning is a gutsy, soulful, jazz vocalist who has blues and R&B leanings. On uptempo material and jazz blues numbers, the native New Yorker can be brassy, aggressive, gritty and hard-swinging. But she has no problem being sensitive and introspective on ballads. In fact, those who listen closely to Manning’s ballad performances may, at times, hear traces of Billie Holiday in her phrasing. But Manning definitely has a bigger voice, and overall, she is a much more robust type of singer than Lady Day — if Manning was a tenor saxophonist, she would be closer to Houston Person or Eddie “Lockjaw” Davis than Stan Getz. Although she is bop-oriented and has been influenced by Carmen McRae and Ella Fitzgerald, not all of her influences are bop influences. Holiday, of course, came out of jazz’s pre-bop era, and Manning occasionally shows an awareness of jazz-influenced classic blues singers like Bessie Smith, Ida Cox, and Ma Rainey.

Steve Wilson
9 February, 1961

Steve Wilson is an American jazz multi-instrumentalist, who is best known in the musical community as a flutist and an alto and soprano saxophonist. He also plays the clarinet and the piccolo. Wilson has maintained a busy career working as a session musician, and has contributed to many musicians of note both in the recording studios, but as a sideman on tours. Over the years he has participated in engagements with several musical ensembles, as well as his own solo efforts.

Antonio Adolfo
10 February, 1947

Antonio Adolfo Maurity Sabóia is a Brazilian pianist, keyboardist and composer. At the age of seven he began his violin studies with Paulina D’Ambrozzio, when he was 15 he took up piano, studying with Ayrton Vallim and by seventeen he was already a professional musician. As a musician and arranger he has worked with some of the most representative Brazilian names; along with this he has released 25 albums under his name. During the 60’s he led his own trio and toured with singers Elis Regina and Milton Nascimento. Adolfo wrote tunes that gained him great success and have been recorded by such artists as Sérgio Mendes, Stevie Wonder, Herb Alpert, Earl Klugh, Dionne Warwick, and others.

Jaleel Shaw
11 February, 1978

“If you listen from when it began to now, you can hear the development. People don’t realize that now, but jazz has always been there.”

Jaleel Shaw is an American jazz alto saxophonist he received a master’s degree in Jazz Performance in May 2002. He was a finalist in the Thelonious Monk International Jazz Saxophone Competition that year. In 2008 he was awarded ASCAP’s 2008 Young Jazz Composer Award. Shaw released his first CD, Perspective in 2005. In 2006 Shaw played as a member of the legendary World Saxophone Quartet, appearing on their album Political Blues. In 2008 Shaw released his sophomore recording Optimism. His most recent album, Soundtrack of Things to Come.

Bill Laswell
12 February, 1955

Bill Laswell is an American bass guitarist, record producer, and record label owner. He has been involved in thousands of recordings with many collaborators from all over the world. His music draws from funk, world music, jazz, dub and ambient styles.

Wardell Gray
13 February, 1921 – 25 May, 1955

Wardell Gray was an American jazz tenor saxophonist who straddled the swing and bebop periods. As a teenager, he started on the clarinet, but after hearing Lester Young on record with Count Basie, he was inspired to switch to the tenor saxophone. Gray’s first musical job was in Isaac Goodwin’s small band. When auditioning for another job, he was heard by Dorothy Patton, a young pianist who was forming a band in the Fraternal Club in Flint, Michigan, and she hired him. After a very happy year there, he moved to Jimmy Raschel’s band and then on to the Benny Carew band in Grand Rapids, Michigan.

Jason Palmer
14 February, 1979

Having made Boston, MA his home for the past 22 years, Jason Palmer was recently named to the inaugural class of the Boston Artist in Residence Fellowship for Music Composition. In 2011 and 2017, he was named a Fellow in Music Composition by the Massachusetts Cultural Council. In 2014, Jason was honoured as a recipient of the French American Cultural Exchange Jazz Fellowship where he collaborated with French pianist Cedric Hanriot, collaborating on an album entitled “City of Poets” and touring the United States and Europe. Jason won 1st Place in the 2009 Carmine Caruso International Jazz Trumpet Solo Competition and was cited in the June 2007 issue of Downbeat Magazine as one of the “Top 25 trumpeters of the Future”.

Henry Treadgill
15 February, 1944

Henry Treadgill is an American composer, saxophonist and flautist. He came to prominence in the 1970s leading ensembles rooted in jazz but with unusual instrumentation and often incorporating other genres of music. He has performed and recorded with several ensembles: Air, Aggregation Orb, Make a Move, the seven-piece Henry Threadgill Sextett, the twenty-piece Society Situation Dance Band, Very Very Circus, X-75, and Zooid. He was awarded the 2016 Pulitzer Prize for Music for his album In for a Penny, In for a Pound, which premiered at Roulette Intermedium on December 4, 2014.

Pete Christlieb
16 February, 1945

“They told me to play what I felt. Hey, I’m a Jazz musician, that’s what I do.”

Pete Christlieb is a jazz bebop, West Coast jazz and hard bop tenor saxophonist. Christlieb has worked with many musicians, such as Louie Bellson, Chet Baker, Woody Herman, Count Basie, Tom Waits, Steely Dan, Warne Marsh. Christlieb played the sax solos on Steely Dan’s hit song “Deacon Blues” from the album Aja; Natalie Cole’s Grammy award-winning album Unforgettable; and the extended tenor sax solo on the song “FM (No Static at All)” from the movie of the same name.

Buddy DeFranco
17 February, 1923 – 24 December, 2014

Buddy DeFranco was an Italian-American jazz clarinetist. In addition to his work as a bandleader, DeFranco led the Glenn Miller Orchestra for almost a decade in the 1960s and ‘70s. He was playing the clarinet by the time he was 9 years old and within five years had won a national Tommy Dorsey swing contest. He began his professional career just as swing music and big bands—many of which were led by clarinetists like Artie Shaw, and Benny Goodman—were in decline. While most jazz clarinet players did not adapt to this change, DeFranco successfully continued to play the clarinet exclusively, and was one of the few bebop clarinetists.

Lew Soloff
20 February, 1944 – 8 March, 2015

“Be in competition with yourself. Only when you decide to be as good as you can be will you make real progress.”

Lewis Michael Soloff was an American jazz trumpeter, composer, and actor. He was a founding member of the band Blood, Sweat & Tears. Born in New York City, he studied trumpet at the Eastman School of Music and the Juilliard School. He worked with Blood, Sweat & Tears from 1968 until 1973, and prior to this with Machito, Tony Scott, Maynard Ferguson and Tito Puente. In the 1980s, he was a member of jazz emsemble Members Only. Soloff was a regular member and sub-leader of Gil Evans’ Monday Night Orchestra beginning in 1983, gaining him experience as a band leader. Soloff was also a longtime member of the Manhattan Jazz Quintet and Mingus Big Band. He was among a handful of trumpeters capable of playing demanding lead trumpet parts while also contributing improvisational solos and of playing baroque, classical, and later orchestral and chamber music styles, which made him an in-demand session player for commercials and soundtracks.

Nina Simone
21 February, 1933 – 21 April, 2003

Nina Simone (born Eunice Kathleen Waymon) was an American singer, songwriter, musician, arranger, and civil rights activist. Her music spanned a broad range of musical styles including classical, jazz, blues, folk, R&B, gospel, and pop. To make a living, Simone started playing piano at a nightclub in Atlantic City. She changed her name to “Nina Simone” to disguise herself from family members, having chosen to play “the devil’s music” or so-called “cocktail piano”. She was told in the nightclub that she would have to sing to her own accompaniment, which effectively launched her career as a jazz vocalist. She went on to record more than 40 albums between 1958 and 1974, making her debut with Little Girl Blue. She had a hit single in the United States in 1958 with “I Loves You, Porgy”. Her musical style fused gospel and pop with classical music, in particular Johann Sebastian Bach, and accompanied expressive, jazz-like singing in her contralto voice.

Joe Wilder
22 February, 1922 – 9 May, 2014

Joseph Benjamin Wilder was an American jazz trumpeter, bandleader, and composer. Wilder was born into a musical family led by his father Curtis, a bassist and bandleader in Philadelphia. During the 1940s and early 1950s, he played in the orchestras of Jimmie Lunceford, Noble Sissle, Dizzy Gillespie, and finally with the Count Basie Orchestra. He was also a regular sideman with such musicians as Hank Jones, Gil Evans, and Benny Goodman.

Ralph Peña
24 February, 1927 – 20 May, 1969

Ralph Raymond Peña was an American jazz double bassist and composer. He learned to play baritone horn and tuba as a child before becoming known as a jazz double bassist, beginning his professional career in 1942 with Jerry Austin. In the early 1950s he worked with Charlie Barnet, Stan Getz, Barney Kessel, Billy May, Jack Montrose, Vido Musso, Art Pepper, Duane Tatro, and Cal Tjader. He recorded with Shorty Rogers from 1955 to 1958, appearing with Rogers in the 1955 film The Man with the Golden Arm and also played with Jimmy Giuffre in 1955 and 1956 and Buddy DeFranco in the late 1950s. He played in a duo with Pete Jolly from 1958 to 1962 and occasionally recorded with Jolly, Giuffre, and Rogers together. In the early 1960s he worked with Ben Webster, Frank Sinatra, George Shearing, Joe Pass, Bud Shank, Dick Grove, Anita O’Day, Ella Fitzgerald, and Nancy Wilson. Late in the 1960s he worked on film soundtracks.

Dexter Gordon
27 February, 1923 – 25 April, 1990

Dexter Gordon was an American jazz tenor saxophonist, composer, and bandleader. He was among the most influential early bebop musicians. Gordon was 198 cm tall, so he was known as “Long Tall Dexter” and “Sophisticated Giant”. His studio and performance career spanned more than 40 years. Gordon had a genial and humorous stage presence. He was an advocate of playing to communicate with the audience, which was his musical approach as well. One of his idiosyncratic rituals was to recite lyrics from each ballad before playing it. Gordon’s sound was commonly characterized as being “large” and spacious and he had a tendency to play behind the beat. He inserted musical quotes into his solos which is not unusual in jazz improvisation, but Gordon did it frequently enough to make it a hallmark of his style. One of his major influences was Lester Young. Gordon, in turn, was an early influence on John Coltrane and Sonny Rollins. Rollins and Coltrane then influenced Gordon’s playing as he explored hard bop and modal playing during the 1960s.

Willie Bobo
28 February, 1934 – 15 September, 1983

“It’s getting closer and closer but I’m not there yet. A great artist always gets recognized at the end.”

William Correa, better known by his stage name Willie Bobo, was an American Latin jazz percussionist and jazz drummer of Puerto Rican descent. Bobo rejected the stereotypical expectations of Latino music and was noted for his versatility as an authentic Latin percussionist as well as a jazz drummer easily moving stylistically from jazz, Latin and rhythm and blues music. He met Mongo Santamaría shortly after his arrival in New York and studied with him while acting as his translator. In the early 1950s, Bobo recorded with Mary Lou Williams who is said to have first given him the nickname Bobo. From 1954 until 1957, Bobo played with Tito Puente’s band as part of the percussion section alongside Santamaria, and joined George Shearing’s band on the album The Shearing Spell. After leaving Shearing, Cal Tjader asked Bobo and Santamaría to become part of his Modern Mambo Quintet as the mambo craze reached fever pitch in the late 1950s. Reuniting with his mentor Santamaría in 1960, the pair released the album Sabroso!. Bobo then worked as a session musician for Carlos Santana among others. Santana covered Willie Bobo’s Latin song “Evil Ways” (written by Clarence “Sonny” Henry) in 1969 on their debut album.

Jimmy Dorsey
29 February, 1904 – 12 June, 1957

James Francis Dorsey was an American jazz clarinetist, saxophonist, composer and big band leader. He recorded and composed the jazz and pop standards “I’m Glad There Is You (In This World of Ordinary People)” and “It’s the Dreamer in Me”. With his brother Tommy playing trombone, they formed Dorsey’s Novelty Six, later called Dorsey’s Wild Canaries, one of the first jazz bands to broadcast. He played clarinet on the seminal jazz standards “Singin’ the Blues” in 1927 and the original 1930 recording of “Georgia on My Mind”, which were inducted into the Grammy Hall of Fame. Jimmy Dorsey is considered one of the most important and influential alto saxophone players of the Big Band and Swing era, and also after that era. Jazz saxophonists Lester Young and Charlie Parker both acknowledge him as an important influence on their styles.