While Alfred Lion is often credited as the face of Blue Note, perhaps the most widely recognised jazz label of all time, Francis Wolff was equally important to the label’s success, both as a business partner and as a talented photographer who captured some of the most iconic images in jazz history.

Wolff was born in Berlin, Germany in 1907. His father was a successful architect, and his mother was a pianist. Wolff himself was an avid jazz fan from an early age, and he started attending concerts and collecting records in his teenage years.

In 1933, Wolff and his family were forced to flee Nazi Germany and emigrate to the United States. They settled in New York City, where Wolff quickly immersed himself in the city’s vibrant jazz scene. He became friends with fellow jazz enthusiast Alfred Lion, and the two of them began recording jazz musicians in Lion’s apartment using a portable disc-cutting machine.

In 1939, Lion and Wolff officially founded Blue Note Records. Wolff served as the label’s art director, and he was responsible for designing many of the label’s iconic album covers. Wolff’s photographs captured the essence of the jazz musician’s life in mid-century America, showing the artists in moments of intense concentration, playfulness, and vulnerability. His images often featured the musicians in the recording studio or in the club, surrounded by their instruments and other musical equipment.

In addition to his work as a photographer and art director, Wolff was also a savvy businessman who played an important role in Blue Note’s success. He handled the label’s finances, negotiated recording contracts with artists, and oversaw the production of Blue Note’s records.

Wolff remained involved with Blue Note Records until his death in 1971. His legacy lives on through the thousands of recordings released on the label, as well as through his stunning photographs that continue to inspire jazz fans and photographers alike.