Renowned New Caledonian organist Michel Bénébig has delivered this jewel of an album that is both outstanding and unique. Several things immediately impress one here. First, utilising his Hammond B3 organ as part of an effusive rhythm section and as a frontline instrument, Bénébig adds depth and texture to his music. Second, the composer employs his resources to give the aural impression of a much larger ensemble. Third, the outstanding virtuosic solos from the individual players on trumpet, trombone, guitar, and saxophones, allow this album to explode with musical joy. Lachlan Davidson’s alto playing is one of many of the album’s highlights, as are his arrangements.
Such is the strength of the compositions that there is immense competition for a standout. The tracks Cool Changes with Anton Delecca’s tenor solo, the simple gentility of Sweet Little Girl with flutes, guitar and Hammond B3, and the blues-drenched Try to Explain featuring Bénébig’s musical skills alongside Shane Gillard’s trumpet playing, are all first-raters.
With his compositional prowess, Bénébig acts as the nexus, as his musical partners bring powerful and passionate performances to a recording full of bluesy soul jazz fusion. Here is an album for music lovers who like their jazz steeped in the tradition of Richard ‘Groove’ Holmes, Brother Jack MacDuff, and the immortal Jimmy Smith, yet aren’t afraid to stretch out of it with a big band.
Barry O’Sullivan