Classical Upcoming event (June 2026)
For the first time since 2014, British violinist Daniel Hope returns to Australia for a recital tour with pianist Marie-Sophie Hauzel, inspired by his mentor Yehudi Menuhin.
Classical Fine Music Magazine
The great achievement of Munrow’s short life was to bring the music of the Renaissance to a wider audience through the mass media of TV, radio, LP records and live performance.
Class Act Classical
2MBS Fine Music Sydney is inviting the next generation of Australian composers to shine in the 2026 Class Act Composer Contest.
Barry O'Sullivan Jazz posts
Lee Orszaczky is a Sydney-based trombonist, composer and bandleader active on the jazz, pop & world music scene - best known for appearances with Beliza or his own project Mosaic.
2MBS Subscriber giveaways Classical
Entries for this giveaway are now closed. Check our new giveaways here. The First Murder reimagines Cain and Abel as a gripping story of humanity, where innocence gives way to experience. in Scarlatti’s rare 1707 oratorio.
Paul Derricott is a Sydney based drummer, composer and producer dedicated to exploring and creating improvised thematic music.
Entries for this giveaway are now closed. Check our new giveaways here. Dress up as your favourite animal, bird or insect! This year’s KPO Kid’s Proms is taking you on an adventure to the corners of the globe discovering the sounds and sights of earth’s animal life.
2MBS Subscriber giveaways CD of the Week Classical
Entries for this giveaway are now closed. Check our new giveaways here. On Van Diemen’s Band’s latest recording, Where Everything is Music, the Persian music of Afghanistan meets Baroque in an acclaimed cross-cultural collaboration with Ensemble Kaboul.
Arts Review Events Michael Morton-Evans
Yes, it’s true that the second movement of Beethoven’s Piano Trio in D major, Op.70 No.1 has caused it to carry the title “The Ghost” for most of its life because of its dark and eerie sound, but that’s only nine minutes out of a 27-minute piece.
David Edmonds Partner Content
This article was first published in Chemistry in Australia, September – December, 2021. It is reproduced by 2MBS Fine Music Sydney with the kind permission of the Royal Australian Chemical Institute
