Dido and Aeneas
Michael Morton-Evans Reviews
One of the primary difficulties of staging Henry Purcell’s 17th century opera, Dido and Aeneas, lies in reconciling the opera's historical setting with contemporary perspectives. The story of Dido, Queen of Carthage, and Aeneas, the Trojan hero, unfolds within the framework of classical mythology. Trying to retain the essence of this ancient world, while making it accessible to modern audiences demands innovative approaches to set design and costuming.